We name files for the media plan: campaign, motif, aspect, language. The editor’s private timeline names stay in the suite.
Colour-managed stills and video sit in parallel folders with a short readme: LUT, white, and what was approved.
Raws stay in our working storage unless bought. What the client receives is what they licensed.
A year later, brands ask for a new crop. If the archive is clean, that is a morning. If it is a pile, it is a new job.
We keep the working project for the revision window in the estimate. After that, restore is a quoted retrieval, not a favour.
Seacount Desk is on Rua da Prata, a ground-floor room with a yard. The book is tinned fish, tile workshops and the small rooms that rent by the week. Mornings are for the street and the hill. Afternoons are tabletop in the yard, under a silk, when the tile is too bright to be useful.